

The combination of glitch, randomness and analog signal path, especially when the feedback control was turned up, added an ‘organic’ feel to the sound and that feeling comes through in the plug-in.Many of the plug-ins that you need, the bread and butter ones, come bundled with your D.A.W. This was evident in the way that the display would flicker between pitch ratio readings.

The system clocks at the heart of the design drifted and wobbled introducing a degree of randomness in the effect not found in later crystal-based, precise digital devices. The design predates the introduction of the CD and digital audio sample rate standards (e.g. In addition to the glitch, all of the quirkiness of the original H910 has been emulated. Not surprisingly, artists found creative ways to use the glitch and, in fact, years later when the H949 was introduced with advanced de-glitching circuitry, some users were disappointed that the glitch was gone. The original H910’s unique pitch change method introduced random ‘glitches’ into the audio and the word ‘glitch’ into the audio engineer’s vocabulary. Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.Individually control delay outputs and dry/wet mix.Create colorful, unique sound effects and drones through self-oscillation.Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch.Anti-Feedback modulates the pitch around unity for a subtle or wild effect.Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.OUT2 Delay Group – adds inspiring attributes to your sound.The built-in envelope follower makes exploring these possibilities easy. Envelope Follower – Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds.

With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.

With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. The H910 Harmonizer® was the world’s first digital effects processor.
